Musings of an Undercover Yogi

Archive for the ‘Artwork’ Category

Yogi Shiva Mahadev | My Sadhguru

The one who is as vivacious as life,
As still as death.
The one who influences destiny,
Is beyond life and death.
The one who is a timeless presence,
A boundless grace.

I’m too puny to wish this one, yet I try.
Because he shelters me, burns for me.
Because he lives in each breath I take.
Happy birthday, my beloved Sadhguru!

🌹🌸🌼🌻🌷🌺🏵️

– Bijita Dhar

On your birthday, wrote a little something as an offering. Pranam, Sadhguru. 🌼🌺👣🙇🌸🌹

Artwork by @dhriti_art

Artwork of Lord Jagannath

I met him on Facebook, bantering with a mutual friend in the comments section of a post. Their goofy exchanges in deliberately twisted, sometimes Hindified Bangla were hilarious. It wasn’t long before I started liking their comments. Gradually, I butted in their conversations, something I seldom do otherwise. Both of them welcomed my intrusions with open arms. At that point, exchanging friend requests with him felt like a mere formality. 🙂

This friend, the exceptionally talented Vinayak Kharat​​, is an artist, a musician, singer, writer, and I don’t know what other talents lie hidden in his treasure chest! 😛 One wouldn’t realize he’s a Maharashtrian if one read his exchanges with Bengali friends. I’m told of his proficiency in Bangla and remarkable understanding of the Bengali culture. 🙂

We bonded over posts, and a few exchanges later, our conversations moved to occasional chats in messenger. He lost his father last year, and his post announcing the same touched me deeply, making me reach out in person. From his post, I realized both our fathers shared similarities. I couldn’t stop myself from tagging him when I wrote a long memoir to celebrate my father’s 70th birthday last year. I cherish our few but meaningful conversations because I relate with him on various levels.

Earlier this week, while resting because of ill health, I was pleasantly surprised to see his ping, politely requesting my postal address as he wished to send me a ‘little something’ for Ratha Jatra. Lord Jagannath has been one of the common factors between us three friends. Though I’ve never worshipped Jagannath, been to Puri, or witnessed the gaiety during Rath Jatra. That hasn’t stopped the devotee in me from bowing down with equal devotion to all phenomenal beings, irrespective of religions and communities.

Perhaps that’s why Lord Jagannath found His way to our home today, having traveled from Mumbai snuggled in an envelope! Sharing Vinayak’s thoughtful and generous gift, his own digital creation, an exquisite artwork depicting the beautiful and intricate Jagannath peeking from behind the door as if playing Peekaboo. His playfulness is so evident in his posture! I saw this artwork a few days ago when Vinayak shared it with me virtually but holding it in my hands is an entirely different experience altogether! I can’t stop looking at the details. Those huge piercing eyes, the nose pin, the neckpiece, and that mischievous grin. From his silk attire to the ornamented door, there’s nothing to not love in the entire frame! ❤

The divine gift bundle

The artwork came wrapped in oodles of warmth in the form of his handwritten letter. I’ve always been a long-letters girl. Nothing delights me more than receiving a letter, which I haven’t in a long time. What a welcome break from being the one expected to write! For a change, I sat with my daughter reading his letter, smiling from ear to ear. Yatika has an interesting question, Vinayak. Quote Mumma, why has Uncle written Bijita ji? You guys are friends, right? I never call my friends ‘ji!’ unquote. 😃

My dear Vinayak, thanking you on messenger would’ve been such a shame! So here’s my ‘little something’ for you, my profound gratitude post. Cheers to our friendship and your talent! May you grow leaps and bounds. Stay healthy, stay safe, bondhu! 🙂

In the late 90s, a certain form of abstract artwork in newspapers caught my eye. The artwork was a far cry from the incomprehensible, colorful gibberish that often passes off as abstract or modern art. The figures were a beautiful interplay of shadow and light, partial yet not incomplete—silhouettes.

The Guitarist
The Face

As I created these black beauties, I couldn’t help but admire the partialness. What was not visible seemed more beautiful and ever-present than what was visible. A plethora of colors is not always needed to create magic; black and white do it equally well. What say?

The Bengali Bride

I had a knack for sketching during high school and college days. Unfortunately, inspiration hit only a day or two before annual exams, or worst, board exams! When friends stayed buried in curriculum books, cramming all subjects as hard as possible, I buried myself in a novel or my sketchbook. As usual, I preferred my favorite nook in our bedroom or the tiny balcony. No wonder I was never a shining star of my school/college! Except for one occasion, which is a story for another day.

Back to the sketchbook, well, it’s a simple writing pad with an ugly cover photo, probably not meant for sketching as it’s not sturdy. A family friend, a gentleman who was a medical representative, gave it to me. He owned tons of such freebies from pharma companies. Notice Cidoresp in the picture? Umm hmm. I decided to turn the writing pad into my sketchbook.

I found this now-decades-old sketchbook while rummaging in my almirah today. Of course, I had to leaf through its limited contents and while doing so, remembered the story behind each piece.

Made the Bengali Bride in 1996, just before secondary school board exams. In an attempt at calligraphy, I scribbled the words Shubha Vivaha next to the sketch in Bangla font. In the photo, I’ve used an Egyptian Scarab Beetle as a paperweight. The next picture is the inspiration behind this sketch.

The Bride from my parents’ wedding invitation

Back in time, I found Maa-Baba’s wedding invitation in their almirah, inside their wedding album. As kids, my sister and I often leafed through their wedding album. I loved the bride on the invite and tore it without asking for permission so that it was handy during sketching. Maa was upset and told Baba about what I had done. Baba, as usual, was tolerant. I was fortunate I didn’t get a sound scolding for tearing the only remaining copy of their wedding invite. Especially so as Maa had preserved it wonderfully since their wedding in 1980. I wish I realized the sentimental value of the invite and the significance of my action before I chose to act. Fortunately, this 40-year-old piece has been safely tucked inside the now-yellowed pages of my sketchbook. I’m not sure about the rest of the invite though. Maa and Baba, do forgive me. ☹